house rots my food. house stains produce
with bowel smells, and the flies. house
generates flies. house seeps bad breath
onto my plate. house palate and palace and not both. house gnaws at the hinges. house of gnats-hinged-fridge. house not a house. house a flat, but still house in fearful steeps of every step. house molds my meat; house turns my milk. house stays, and house stinks; house prays but spills the drinks. house a fringe. of grease and glue. house a bill long overdue. house that diseases the cured meats. house that will douse but never rinse. house that is ours and festers us. house whose treasure is maggots- ours.
Another language
So lonely…
so lonely, the ash tree
my city clad itself
in its clamored quiet
Locus Amor’n’us
golden, and more
as they look up
from their labor
as grows rumor.
Plaything Pretend
the waxen arms of a doll
its belly soft-grilled cotton
smelled like vanilla first
then a hauntingly sharp whiff
of glue acidic and silent remains
later, I found that grown-ups
do smell like those things too,
with their heads caved in, half an eye,
and supple feet by shoes
so readily bruised
yet our eyelashes whip the air
in fear of overflowing joy
while the doll keeps its own still
staring into blind light.
Lesbian Poetry Simulator – Play Now For Free!
[que] la glace [se] terni[sse ?]
l’éclat (…) [disparaître ?] non pas (…)
avec l’ (…)…
(…) des [tresses ?] de mon aimée (…)
crossing each (…)
that didn’t appear
yet
after careful study of this poem’s remnants, one can only conclude that (…)
(moon through spilled windows)
… le texte, plus intéressant par sa graphie et ce qu’elle révèle des conditions de préservation que par son sens, son vers maladroit…
Undisturbed
gathering gray threads a field somewhere
shades itself in rain’s company
growing greener
in the old country unwed girls
would tie their hair with snake molts
so that pillows squealed
their silky solitude
It did fall(,) silent
in between tree tremors
their light guilt.
________________________________
after Ryan Whelan’s 2020 artwork, Somewhere there’s an open field undisturbed just growing greener, soft pastel and acrylic on canvas. from the series Holding two opposites at once.
On The Very Last Hour Of Drilling Iron
cement-taken in
a mutant city
i feel my limbs deplete
my voice sizzle
on the fat of
plucked childhood
its bland meat.
Dishwashers
draining milk from the morning bowl
its landscape withers away –
did the tranquil meadows wait for me?
or is this, yet again,
just poetry?
Arany in the changing room
a plastic sheet explains
how to cough; barely legible
under the cracks of this late morning’s
sad light, its white pools. they
quickly (calls the teacher) ought to remove
their shoes, leave coats
hanging on tiny hooks, and spill
into the gymnasium. Arany
peers through the narrow window and tells her friend
look: i can see my mommy
right in that house over here, drinking coffee. it is all
yet another miracle – not to see mom from school,
forbidden bird,
but that joy – as her hastily shed scarf slides down,
and puddles on the invisible bench, its smooth surface,
so cold, resin-coated – the locked-up bench, that has yet
to be forgotten.
I Haven’t Done Algebra Since 2013
éblouie non aveugle
no staring, squinting’s suggested
right at the not-reach
s’évanouissant laissant la soif
& les sourcils fronçant –
……………………….
you might want to hurry
home
isn’t quite what exists.
///////
you might want to hurry
home
existn’t quite what is
/////////////////
((you) ((might)) (want(ing))) to hurry
(home)
isn’t quite what exists.
Wailing October…
wailing october fog faiseur
d’une puanteur de miel
dans le jour tombe
Pellicule
cette dont on ignore
si la blancheur est neige
ou pourriture
d’un avançant squelette.
Com(me)/mute
such a bright mo(u)rn
arrive le train
such a morne matin
I turn away from the growing sun.
Lunattic
la tisse-poussière
grows wooden
in their grenier
*
what (fire) will madden(s) (fire) (?)
***
This poem is the start of a new project – follow it to its completion on my patreon!
My take on the moon as erotic motif trope
glide bright hide
behind water silks
ubers and deep-friers
indifferent to nuptials
urgently diving
for your slave
Great Dogs
et perhaps freshness viendrait
water on eyelids
and may-être cela brillerait
comme un peu de jour…
Eau froissée…
eau froissée ciel d’été
la chatte-mère sur le flanc
donne à boire round respite
before heat’s eyes – in vain
There beneath the trees…
there beneath the trees
grass comes clearer…
long enough for braids,
and snails hurry through the terrace,
while rain lifts its arms
of gray dampness –
all the way throughout summer.
Fossile d’un jour éclos…
fossile d’un jour éclos
ce qui se voudrait une
…
ah, why try to grasp
vines that let you slip away?
night came invisible
her silk on our foreheads.
HAS ANYONE EXPERIENCED SOMETHING SIMILAR / GOT ANY INFORMATION ABOUT THIS PHENOMENON? (SERIOUS REPLIES ONLY)
Why, of course you’re not going to believe me. I mean, only old people find these little shits endearing anyway. I haven’t met anyone under the age of thirty who didn’t think they were absolutely nightmare-inducing. But hear me out – I have some other reason to hate garden gnomes.
It all started when I was about eight. You see, I had a pretty regular childhood. My parents never divorced, we had a suburban house, and my four grandparents were alive until recently. Oh, of course there was some family drama – whose family doesn’t have any? But it never got bad enough that we had to cut ties with relatives. My grandma’s house was as typical as our life: decently sized, with two guest rooms, a big kitchen, a garden with a vegetable patch, a swing for us kids, and a garden gnome. Now before that story started, I had no hard feelings towards that gnome. It was just some weird decrepit doll I wasn’t allowed to play with because, despite looking like a toy, it wasn’t one, according to my grandma. I didn’t pay it too much attention, since there were much more exciting things to do – namely the swings, and in the summer the strawberries ripening, for example.
A bit of a tradition in our family was that I’d spend a part of the summer holidays there with my cousin Lily. We were the same age, being born exactly six months apart (a fact our families loved to bring up at every reunion), and got along well despite our very different personalities, as is often the case with children. She was this fun, extroverted kid who would constantly drive the adults crazy with her questions while I was quiet, a bit of a coward, and very reasonable. Our parents liked to say we “brought out the best in each other”. I don’t really know about that – what I remember is Lily pushing too hard on the swing and falling down once, in a very dramatic way, shattering one of her front teeth. I did warn her, of course – but did she ever listen to what I had to say?
Anyway. Back to the gnome. This happened in the early 2000’s and, as I said, I was eight. I had just arrived to my grandma’s to spend three weeks there before my parents had their days off and would join us. Lily was there already. I got off the car and she ran towards me, screaming with excitement.
“Notice any change?”, Lily asked, her eyes bright with mischief.
“Now, Lily, don’t spoil the surprise”, Grandma warned.
I looked around.
“It’s in the garden!”, Lily shouted. “You’re getting warmer!”
I looked around and approached a rhododendron bush. Everything seemed to be as I remembered. I turned a corner and saw it.
“The garden gnome! You… changed it?”, I asked, confused.
Before Grandma could say anything, Lily shrieked.
“We repainted it! And she let me choose the colors!”
The gnome’s overalls were indeed bubblegum pink instead of their regular denim blue.
“That’s nice”, I said. And really, I didn’t know what else to say. It was a bit weird to see the gnome in that state, as I was so used to its old appearance – its face was more defined, but really that was all.
We all went inside and had a late lunch – it was about 2:30pm.
Now the weird things started right after lunch. Lily and I headed to the garden to play on the swings; she had been given a new bouncing ball by the neighbor and we were fighting over it. Suddenly I smashed the ball while it was in the air and it bumped into the shed’s door. We weren’t allowed in it, as it was full of sharp tools, dust and cobwebs, and so my grandma kept it locked at all times. Except that day, apparently. When the ball hit the old wooden door, it opened, ever so slightly. We stood there, abashed.
“Should we get inside?”, Lily asked.
“If we do so, grandma will ground us and tell our parents.”
“She doesn’t have to know.”
“But she will!”
“C’mon, Annie – just one minute! Don’t you want to see what’s inside?”
“But we’re not allowed”, I replied tentatively.
“Get back to grandma if you want, I’m going inside”, she decided.
That’s the thing with Lily: once she had decided she would do something, there was no stopping her. So I sighed and followed her in the shed – after all, I was curious too.
Now that I think about it, there was nothing remarkable inside the shed, and I can definitely see why adults didn’t want us in there. The sunlight glimmered over metals, all more or less rusty. Mostly there were bags of fertilizer and old garden tools. Nothing phenomenal, really. Lily closed the door and we were submerged in total darkness – there were no windows and no light bulb. I muffled a scream.
“I know what we’re gonna do!”, she whispered excitedly.
“Get out of there?”
“No, silly – I’m getting my glow-in-the-dark marbles!”
“Wait -”
But she was already out. I stood there, frightened. I wanted to get out of the shed, but I could hear my grandma not that far away and I was afraid she’d see me opening the door. So I just… stayed here, praying that Lily would come back quickly. And then it… happened. Or rather started happening. I heard a scratching noise from the outside.
“Lily?”, I whispered. “Quit doing that!”
The scratching continued. It felt like claws on wood. No way that a child’s nails could make such a sound. Maybe Lily had brought some kind of instrument – a fork perhaps? – and was fooling with me. I called her name again, threatened to scream for grandma – no response. And then – I can still hear it – I heard one of the wooden planks being… torn apart. Granted, the shed was old, so it couldn’t have been too hard – but why would Lily do that? My knees gave out and I fell on the ground. And then – how is that even possible? – I saw some light. One of the planks had been ripped off and there was a tiny hole, or rather a split, in the wall, that let light enter the shed. I stared at it for what must have been a few seconds only but felt like whole minutes, and then… something… something was behind the split. Staring at me. It was a painted eye – a black eye. I could not but recognize it immediately. The eye rose up, still staring at me (or at least that’s how it felt), and through the crack I could see the whole shabby face… of the old garden gnome. I opened my mouth to scream and as soon as I did that, it just… disappeared. As if nothing had ever been there, staring at me through a crack they (or rather it) had just created. Finally regaining control over my body, I jumped on my feet and stormed out of the shed – and you may have guessed it: there was nothing outside. No old shabby gnome. No prankster cousin. Just the grass. At that moment the back door slammed and Lily started running towards me. She stopped dead in her tracks upon seeing my face.
“What’s wrong?”
“It’s not nice to scare people like that”, I accused her, although I was pretty sure that what I had just experienced was not Lily’s making.
“What are you talking about? I was just inside.”
I told her what I had seen, and showed her the crack – I think she was even more scared than me, actually. It was nice to have her believe me, because I knew no adult would. We went back to the gnome. It was still here, freshly painted, mocking us with its empty eyes, fake smile and pink overalls.
“You sure that’s not what you saw?”
“Yes. I saw the old gnome. The one that had paint peeling off its face.”
She frowned.
“Then I don’t know. We should ask grandma if she has some other gnome laying around. But first maybe check the shed?”, she proposed, her eyes brightening.
“Nobody’s gonna check the shed!”
“Alright, alright! I’ll ask her over dinner then.”
And that’s what she did. As I said, Lily was always good at getting the adults to give her information – she had been so involved in the whole repainting stuff her asking about the gnome didn’t seem to strike grandma as unusual.
“Grandma, do you have another garden gnome?”
“Another gnome? No, dear, just the one we painted.”
“Are you sure?”
She chuckled.
“Yes, of course. I’m not that old, I still know what I own!”
“Where does it come from?”, I asked.
“The gnome? Oh, I don’t really know. It was there when your grandpa and I bought the house. The previous owners had left a lot of things inside. We threw away most of it but ended up keeping a few. For example, the living room’s lamp was from them.”
We exchanged a silent look. Really, there was nothing more to ask about. When grandma asked us what we had been up to that afternoon, Lily made up a story on the spot – she had always had a talent for making stuff up – about our dolls being pirates fighting for a treasure (that was composed of her marbles). I suppose grandma believed her, as she didn’t ask any follow-up questions.
The rest of the holidays was peaceful. Sure, I had some nightmares about the gnome, and Lily and I still tried to elaborate theories about it – but mostly we played and argued. I’d not say we forgot about it completely: it just wasn’t our number one preoccupation anymore.
Still, I felt some kind of relief when we left, in addition to the habitual sadness. Hopefully I would stop dreaming about the gnome.
When we arrived home, after a five-hours long drive, it felt like waking up from some confusing, stressful nightmare. At that point I was pretty sure I had imagined it all. I mean, I’ve always had a rich imagination, and the sudden darkness had scared me so much I might as well have hallucinated the whole thing. Plus it made no sense I had seen the old version of the gnome – this was probably because I wasn’t used to its new look yet.
Anyway. My dad took my suitcase to my bedroom and I started unpacking. There were, neatly wrapped, all kinds of things I had taken home from Grandma’s place – a new doll, two books, various shells and funny-looking rocks, as well as scented paper. Under all that were the clothes, always the least exciting part of unpacking. I grabbed a pair of socks and felt something hard inside it. I unwrapped it, excited – my grandma often hid some tiny toys or a 10$ bill in my packages and suitcases. When I discovered what it was, however, I felt as if I had been thrown into a pool of icy water.
In my hands, staring back at me, was a plaster fragment – of an eye. The very same eye I had seen spying on me through the crack: black and shabby, with its paint peeling off. I dropped it off like it had burned me and it fell on the floor with a dull sound, where it kept staring at me. I felt hot tears rising under my eyelids and stomped on it, hysterically, until the gnome fragment was unrecognizable; I then managed to overcome my fear and gather the broken pieces. What to do with them? My first impulse was to throw them in the garbage can, but I quickly resolved against it – my parents could see them and get suspicious. Besides, I didn’t want this thing to stay in the same house as me. So I opened the window, made sure no one could see me, and threw the shards into the overgrown garden of the neighboring house (vacant at the time).
I sat on my bed, restless. My first thought was to call Lily; but at the time, cellphones weren’t as usual as they are now, and I would have needed to use the landline, which my parents would have known about since they insisted on listening to my phone calls. Now that I think about it, I should definitely have told my parents about the whole thing – but the childish fear of getting yelled at, maybe grounded, for entering the shed, as well as involving Lily, held me back. And I knew my parents wouldn’t believe me anyway – they’ve always made fun of people believing in anything even slightly supernatural and constantly told me to “stop lying” when, younger, I told them about my imaginary friends and their adventures. No, I thought, the safest thing to do now was to try and forget it all. So I didn’t tell anyone anything, finished unpacking, and joined my parents in the living room to watch some TV.
I didn’t sleep well that night. I don’t remember my dreams but I think I didn’t fall asleep properly before dawn; I was woken up by my mom around 10:30am. She entered the room as usual and opened the blinds.
“Good morning, Sleeping Beauty”, she said cheerfully, “your kingdom awaits you!”
I mumbled something unintelligible.
“Come on, do you see what time it is? You need to get back to a normal sleep schedule for when schools starts again.”
She walked towards my bed and stopped. I was facing the wall, but could feel her presence behind my back. She grabbed something placed on my nightstand.
“Good lord, what’s that? Annie, why do you have to keep such useless trinkets all the time? And what’s it supposed to be?”
I turned over. At first, I couldn’t see what she was holding, being blinded by the sunlight. Then it became clearer.
It was the gnome’s eye.
“What’s wrong?”, she inquired, seeing the look on my face.
“Don’t touch it!”
She raised her eyebrows.
“It’s, uh, mine. Lily… gave it to me. She… has the other half. It’s a cousin-best friends kind of thing.”
“Oh, okay then. If you say so. Anyway – get up before it’s too late for you to have breakfast.”
The whole day was a blur. It was clear I needed to get rid of the gnome’s eye – goodness, this is one ridiculous sentence, isn’t it? But it was also clear it wanted to stay in the house. To mock me, or… I didn’t even want to think about it. So I figured we needed to find a compromise. After hours of febrile thinking, I found what appeared to be the best solution: putting it in the attic. Nobody would find it weird to have some old broken thing up there, it would still be inside, and hopefully it wouldn’t come back to watch me sleep. I shuddered. When I asked my mom if I told keep it there, she looked surprised.
“Don’t you want to keep it at arm’s length? To remember your “cousin-best friend”?”
“If I do, I’ll keep playing with it and it might break. Look, it’s really fragile.”
It was the first time I lied to her with such conviction.
“Well, it’s your stuff, you can keep it wherever you want. Just don’t touch anything in the attic. I know where everything is stored and don’t want you to mess it up. Also, you could hurt yourself. Oh and, I don’t want you sneaking around there all the time, so if you keep it in the attic, remember you won’t be able to go play with it anytime you want to. Understood?”
I nodded and went back to my bedroom. I grabbed a shirt and used it to hold the eye. It was still staring at me, and although there was no particular expression to be found in it, I recalled the gnome’s face, constantly laughing for an unknown reason, and it felt like it was deliberately taunting me. I unlocked the attic’s door and turned on the light. It was a very regular attic in a very regular house, really, but not being able to hear my parents downstairs while being alone with the thing made me uneasy. I looked around, trying to find the perfect spot, and noticed an old suitcase we didn’t use anymore as its wheels were jammed. What decided me to drop it in that particular suitcase was that it got a lock – that was, fortunately, open. Obviously, I didn’t delude myself into thinking the lock would prevent it from doing whatever it wanted to do, but it was still quite reassuring to hear its clicking sound. Placebo effect, probably. I locked the attic door behind me, gave the key back to my mom, and for a while, that was it.
Of course it took some time before I could sleep normally again – to be honest, I’m not even sure to this day my sleeping pattern is something we can call “normal” – but the eye seemed to accept its new place and never showed up again. I avoided the attic on the pretext of being afraid of spiders and, as years passed, I thought less and less about that adventure. Actually, I almost managed to convince myself (once again) that I had made the whole story up – after all, my childhood was pretty boring and I could’ve used the thrill. I even wondered for a while if it could have been a psychotic episode, but nothing similar happened to me afterwards and the research I did on the question revealed that psychosis often starts manifesting during late adolescence or early adult years. Anyway – I also never told anyone this story before, and I would have kept things as they were if it weren’t for what happened last month.
I graduated last June. I found a job after a few months of job hunting – I admit I got lucky – and decided to move out. My parents initially wanted to leave my bedroom as it was to make sure I would feel welcomed when I’d visit them but I convinced them to use it as a spare guest room, which was lacking. I started packing my stuff. At the beginning, it was easy enough to determine what I’d take with me, and what should be thrown away; but eventually I stumbled upon some items (mostly toys) which, while having too much of a sentimental value to be simply thrown away, would be a waste of space and energy to take with me at my new place. I asked my parents for advice – should we give them away?, and they told me I should simply put them in the attic, at least for a while. Who knows, I might start a family a few years from now, and then I would be glad to still have my old toys to give to my child!, they reasoned. I felt uneasiness crawling up my skin at this idea but agreed, as this was obviously the best option. Had it been only a few years before, I would simply have asked my dad to move the boxes to the attic; but he had unfortunately hurt his back when I was still in college and thus wasn’t allowed to lift heavy objects or bend for too long. As for my mom, I knew she’d have made fun of me for still being scared of the attic – our relationship isn’t that great, if I’m honest, and I’d rather have faced the attic and whatever was in it than give her more reasons to call me a coward in front of people. I know it’s childish, and I’m not really sure how we even got there in the first place, as we were pretty close when I was younger, but it is what it is, right? So, long story short, I ended up taking the boxes to the attic myself.
I unlocked the door and turned on the light, looking around to see where I could leave them – I had hoped there would still be enough room in the front so that I wouldn’t have to get too close to the old jammed suitcase but unfortunately, it wasn’t the case. So I started walking towards the end of the room until I could see the suitcase.
The light bulb was too weak to properly light the whole room, but I could see that something had been placed at the top of the suitcase. I sighed, relieved – it was clearly too big to be the gnome’s eye. However, as I still needed to find a spot for my boxes, I kept going. As I approached, I could distinguish a silhouette in the dim light of the attic. A silhouette that looked humanoid, with a pointed hat. I let go of my boxes. Overhanging the suitcase was the old garden gnome, intact, with its blue overalls and its paint that was flaking off, grinning, and staring directly at me.
I don’t exactly remember how I got out of the attic. I left the boxes where they had fallen down, locked the door, and didn’t tell my parents anything. Now you might be wondering why I am telling you this, you who are total strangers, when I kept quiet for so many years and didn’t even tell my relatives what happened. Am I crazy? I don’t think so. As I mentioned before, I’m not showing any symptom of mental instability, whatever that means. I never have, really. No, if I’m telling you the whole story now, it’s because I need advice. Should I tell my parents about all of this? Letting them know they most likely have a haunted garden gnome (if that thing really is a garden gnome) in their house? I’m conflicted – on the one hand, I of course don’t want them to get hurt, and who knows what that thing is capable of – but on the other hand, I don’t want them to freak out (maybe for nothing) when they’ve spent the last fifteen years unbothered. And before you tell me to get back there and destroy the gnome – given what happened when I broke the eye and threw it away, I’m not sure that would put an end to it; actually, I’m afraid it would only make it angry and craving retaliation. I’m also afraid of it following me to my new home, obviously. I’ll keep you updated. So, yeah – in need of a few tips and opinions about all this, please.
TL;DR: I’m apparently being haunted (?) by a garden gnome since I’m 8. What should I do?
Short stories are back… but they’re not what we’re used to!
Hello everyone!
I personally hate summer. It’s hot and makes me sweaty. So, in order to send some chill down our spines, I decided to take advantage of the free time the holidays grant me & try out some new writing style – namely, horror.
I’ll post new stories regularly, and you’ll be able to find them all under the “Summer Horror” tag!
Enjoy your summer and see you soon!
Becoming chimère
Part in the rising waters agé
The frail bark ploys it all
*
Les champs de la neige s’éloignent
L’oubli keeps you floating
A single tree on the mud shore
With a disemboweled rope
De pendu il y a (de) cela trois morts
*
Si léger light eats you up
Déjà
Ever noticed how poets love insomnia?
Emptying lakes of sleep
To think I used to bath in waterfalls
To drown
*
Nothing in the city
Predatory cicadas circling my ceiling I
Wide as the world
Awake(s)
Lucid to the bone
Perhaps
Monsieur de Sainte-Colombe
he who plays the viola
recalls of years long lost
in a single long note
*
a young woman, dead for decades
bows slightly
and takes from the still life plate
a fruit
(Poem from January 29th, 2020, that I forgot to post)
A Very Obvious Allegory
she passed us in a frenzy
black robes where we’d expect white
eyes punctured
throat sewn tight
she passed us in a frenzy
and hollers through the corridors
the palaces cry for help
heavy marble busts abashed
won’t tell the dust (off)
that she left
only she could knead the cries of pain
roll them around
but she’s passed through
and cannot cry –
she passes us in a frenzy
cold breeze of night
under children’s windows
who meet her once
and go quiet –
*
and still it seems
that rivers flow…
The end of a project… and its beginning!
(french below)
I am very glad to announce you I’m done with my latest poetry project, Goodnight, listeners! It’s a collection of poems composed and told by a radio host during its live show that airs on Wednesdays between 2AM and 3AM. Mostly an exploration of what night, memory, desire and identity can mean… with a plot!
To read the completed book, as well as my 4 other books, you can suscribe to my patreon or send me an email (carmine.g.denis@gmail.com)!
It’s not over, though: Goodnight, listeners is meant to be a podcast so, while that might take a while, you can already listen to the playlist! it’s meant to alternate between songs and poems, starting with the poem (poem n°1; song n°1; poem n°2; etc), although you can of course listen to it the way you want to.
I’ll keep you updated about the podcast!
love,
Carmine
***
J’ai le bonheur de vous annoncer que mon dernier projet de poésie en anglais, Goodnight, listeners, est terminé ! Pour celles et ceux qui n’en ont pas suivi le développement sur patreon, il consiste en une série de poèmes composés par un présentateur radio pendant son émission en direct, qui passe entre 2h et 3h du matin le mercredi. Il y a (en quelque sorte) une intrigue et les thématiques principales tournent autour de la mémoire, de l’identité, du désir et de la nuit.
Pour le lire, ainsi que mes 4 autres livres (un en français et trois en anglais), il vous faudra soit vous abonner à mon patreon (prix libres !), soit m’envoyer un mail (carmine.g.denis@gmail.com) afin que nous puissions en discuter plus avant.
Mais ce n’est pas fini ! Goodnight, listeners se propose de devenir un podcast : cela peut prendre du temps, donc en attendant vous pouvez écouter la playlist dédiée au projet sur spotify, idéalement dans l’ordre (poème 1 puis chanson 1 ; poème 2 puis chanson 2 ; etc.), bien que vous puissiez évidemment l’écouter dans l’ordre que vous voulez.
Je vous tiendrai au courant de l’avancée du podcast!
Carmine
The Unexpectable
Watchman watchman during dawn
What have you seen that’ll make us frown?
*
Rocks
My sister
Rocks started floating
And a stray star went dull
And the milk plate went sour
*
Watchman watchman during the day
What have you heard that’ll make us stay?
*
Streetcars dance in noon’s shadow
And said shadow rejoices
But make no mistake
Grab its hand and get poisoned
*
Watchman watchman during the night
Have you smelled the latest blight?
*
I smelled it first, o my sister
Its heart of rot, its bones of white
It ate us whole like grains of salt
O my sister
Your shawl is loose on the great walls
What did you taste
When death went live?
*
Watchman watchman dusk has risen on the horizon
Leave the tower, and carve some rest
Out of the night that crawls quickly
Feel its hot rain on your fresh corpse.
– Haven’t you heard?
O my sister, ’twas me traitor
Who let it enter.
Let’s give time awell-rounded character
Just in time
To see the sky torn apart
*
What justice will it bring
If not the only glimpse of clarity
That makes you say
“Ah, storm
I see you now”?
“I Got Published”, 3rd edition
Hi friends! The 2020 issue of Plains Paradox is out! You can find my poem “Whitsundying” on page 87! It’s such a beautiful project and I am very glad to have had the privilege to work on it…
See you soon!
The sapphire bird…
the sapphire bird
why does it sing
and why does it sound
like a crying spring
Embodied grief of bodies…
oh wondrous day – the start of a new project
oh wondrous day
I went out all night walked my way out of town
and stars were many, and trees verily
bent down and whispered to me
things my mouth is embarrassed to say
(too many teeth, so little tongues)
I went home to the woman spinning wool
in our room, singing
a song of faith (and the knight
swore his love was enough to sustain him
and he ate lilies
and the lilies were venomous
and oh no the knight died)
oh wondrous day
soon my lips will be sewn tight
and no humming will escape
but I’ve been out all night among
trees who wore their bridal attire
for the first time in tree history
I bathed in a cold spring
oh wondrous day
my lover’s lute glimmers in the light
at spring’s death all dressed up
I’ll be nothing but a wife
oh wondrous day
Just so we’re clear
just so we’re clear
so clear the light won’t even
have a body to cross
just so we’re clear
bag of bones spilling on the countertop
hello I’d like to borrow this
take a coin
take a pill
just so we’re clear
the transaction isn’t complete
and I’ve seen my mother smoking
eyes closed in the backyard
just so we’re clear
somebody sliced my tongue
and my nails have grown long
just so we’re clear
I am no obstacle anymore
and dawn will bend and not see
The traveler clears time…
the traveler clears time
bushes of forgotten tears
useless crystal
*
oh what i have seen
countries where deserts meet the sea
salt plains and nobody to lick ’em
forests where vines intertwine with fate
*
and with a machete
he fails to set his mind
ablaze like the summer trees
and cuts right through
his childhood self
*
mind dried clean and polished
like a wedding shoe
With a crystal wand I tear apart…
With a crystal wand I tear apart
Waters and earth, and trees
Seep through cores birthing lava
Explosions in the ceiling
And the season’s wine is spoiled
He leaned towards me, the mage
Very first man of a deathless eye.
First loves in the sun
Watering my rotting garden when
A single hand-sewn patch of sunlight
Washed over me with joy
*
Oh to be a single particle
Of pollen up in the air
Middle-school children laughing tearing
Grass apart I didn’t know you’d die
I just kept ripping the grass apart
(Of me won’t dry out)
And poured it all on your hair
Bitter tea
*
I never ate my sorrows like I did with yours
A funny story that horrifies
how old were you when you first turned
to stone? your eyes made up
of snow-white goo
and strangeness dripping off your sex?
how old were you when reflections
suddenly didn’t matter anymore, when every quartz
and amethyst and pebbles at the sea
came in, whispered,
“it’s alright, it’s alright”?
how old?
As ladies of the past…
Kindergarten
Oh the crystals broke
In my chamber of wood; no shard
Is left for me to nurse
Til blood greets me – I put my hand
Under running water, no shard
To put blood out of its torpor
To pour it like coffee
On the sink’s teacup –
Oh the crystals broke
My broom’s delight
To gather it
Whole still intact still somehow destroyed
Oh the crystals broke
A poem that waited five years to be written
as one climbs cranes…
not to reach the controls, muscles
bent and high on caffeine –
as one reaches the highest point of the machine
with its war paints of red and white
and much to the surprise of its husband
and son, the machinist
as one climbs cranes…
maybe, up there
the sunset
will last a little longer; maybe
the streetlights won’t light up your way…
as one climbs cranes…
Cold song
… and sun is sudden
over the river…
there is a space between the ground its grass
and its frost mantel
I’m the waking point
of winter
Radio
goodnight, listeners
to you, driving alone across the fields
it’s 3am, a fresh new
Wednesday just began – and you,
lovestruck teen, who cannot sleep
(looking at the stars
like they do in the movies)
and you, mother of two
with a mewling baby in your arms
goodnight, the sun
is all the way through the planet
and the wheat is growing nicely
goodnight, listeners
I’ll let you wander alone in all that cold
while citizens sleep
and cats awake
goodnight, listeners
take music as your last rites
smooth your wrinkles
comb your whitening hair
goodnight, listeners
goodnight.
Story of a street
My street for sure
Got strange castles
One made from ice
(So you can lick
The walls, water
Crawling up your sleeves)
One made from sand
(Itchy, it makes you blind
And scratches your eyes)
One made from snow
(You can’t see through
Its frost windows)
But the most pleasurable place
For sure is ours
Smelling like fish
And cabbage soup
Regular walls
Regular beds
We’ve got a cat
That meows through walls
As if seeing
The Great Corals…
In the psych ward…
In the psych ward’s gardens is a tree
With a hole in the middle –
The windows are slightly opaque
And it doesn’t smell like flowers –
At night the exit lights glimmer
And the empty tree stands intact
With luscious leaves and nesting birds.
Lake
When Spring comes back
With its baskets of dew
I’ll sit near the lake
And watch the hours
Pass away
*
My shadow frolicking
In the still waters.
Adolescence
(We see a figure, crouched, or is she
Stretching? under opaque rain, or is it
Snow already?)
*
Mud on my hands
Love is inside the stadium
And sweats doing cardio
I let the wind
Punish me
But there’s not enough of it
For rain to cleanse thoroughly
*
And someone cried out,
“What are you doing out there?”
We dash through countries…
(…) we dash through countries
at night, wake up in the fields
we’ll bleed out in
at sundown (…)
Dog of my dreams…
dog of my dreams
I’ve been roaming the streets at night
holding the scarf I wore all week
so you can tell me
with your ever-so-meaningful eyes
what I smell like
*
I call you
by the name you don’t have
*
and it sometimes seems, lost dog of the fog
that my shadow growls
with hunger
*
I suppose
Frozen puddle
G. requested a poem entitled “frozen puddle”. Here is the result!
***
In some other
Quality of time there is
A school’s playground
With a leaky gutter
Crystalline winter
One morning, one miracle
Out of space this town is
Bound to if not higher at least
Other hands
It snowed all night
And the gutter froze
The early child
Looks at love
Soon boys her age
Will shatter the icy
Gutter
But at least once
Having seen it
Mourning
As the sun elevates
(Scent of smoke
In the air)
C’est l’hiver demain
red leaves
in rain puddles
*
still falling, through the night,
the last night, I am,
too
*
elle est là
et elle appelle
_____________________________
Misty November morning…
misty November morning
I light a candle
and make some tea
to keep me company
winter will be without
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December 24th, midnight minus a minute
in the glass train station
all gathered
in their finest clothes
dining off expensive china
at candlelight
*
I walked miles in the snow
following the railway
to meet them
*
all dead
sitting at the table
only the wind sings
a Christmas carol
*
the girl in black velvet
black hair and eyes
white teeth and skin
won’t pass the salt
*
at the corner of my eye
always
_________________________
Read this poem and many more on my Patreon! (patreon.com/carminedenis)
On the way home
letting black air
wash off the light
of wasted days
___________________________________
Friendly reminder that you can read all of my other poems on patreon (https://www.patreon.com/carminedenis). You can read a few new poems and/short stories every week, in a pay-what-you-want system. See you there!
Pandora
Can you see what’s in there?
Buttons, pearls, some broken necklace
still glowing faintly, like a year;
a pair of eyes in your face;
– What’s next? You,
stepping into the casket,
up and down the stairs, raising like dew
in the winter cherry basket –
But what’s more? You, my dear;
into the water, come,
into the purple sea.